The Green Line of Beirut: Urban Study and Architectural Interventions

Studio IX & X- Fall 2013 & Spring 2014

Lebanese American University/ Byblos Lebanon

This final year architectural design studio is given as a full-year architectural thesis, with the first phase consisting of an urban study of a significant area in the city, followed in the second phase by individual architectural interventions that build upon the urban analysis.

The studio is supervised by Dr. Elie Haddad, with the assistance of Alicia Denris [Phase I] and Tarek Zeidan [Phase II]. The studio was supplemented by a series of intensive workshops given by visiting critics Evan Chakroff, Nancy Hilal, Helena Casanova and Jesus Hernandez.

The theme of the 2012-13 investigation was the Green Line of Beirut, specifically in the zone where the war of 1975 erupted, i.e. the District of Chiah-Ain el Remmaneh. By doing field work in this zone, students were brought face to face with the various urban issues on both sides of the dividing line, which is still acting in a certain way as a psychological barrier between the two parts of what used to be one, largely agro-industrial, district.


The students involved in this studio were:

Husniya Annan
Aziz Barbar
Leen El-Dilbi
Aline El-Najjar
Ramzi Ghanem
Rima Harake
Abdul Rahman Hindawi
Rona Koubayssi
Ghadi Merheb
Elie Riachi
Michelle Rockwell
Anahid Simitian



Monday, March 18, 2013

meet & greet the green 'ripple'




Brief History:

Chiyah located in the Southern suburbs of Beirut has always been a refuge for migrants escaping from persecution - Christians seeking refuge throughout the Ottoman reign and Shiites escaping cross-border attacks from Israel. However, throughout history Muslims resided on the western peripheries of the region today called Ghobeiry while Christians towards the East taking the Old Saida road as a strict demarcation line - as the region transformed from a village (agricultural lands) to a city (major industries Ghandour, Red Shoe, Kassardjian etc.), animosity between communities intensified. The region witnessed an exponential growth in the 50's.This abrupt shift and the lack of planning led to complete chaos - there is no rhythm or pattern to the area, no specific typology of neighborhoods and buildings, and people on each side have no clear notion of what's happening on the other side even over 20 years after the end of the civil war. 

Area of Interest:

Maroun Misk, a neighborhood in South-West of Chiyah is said to be the only remaining Christian zone on the Muslim side. The neighborhood is calm, with the recently renovated Mar Mekhayel church overlooking three war-torn buildings facing an empty parking lot with two structures dating back to the early 20th century when silk production and agriculture characterized the region. The looming structures narrate the painful history of Chiyah that have been engraved in the collective memory. Opposite Maroun Misk is the new district subject to gentrification, a tabula rasa which the municipality has intentions of transforming to an exclusive high-rise luxury residential towers.

what is my master plan all about?

I wanted to erase the Old Saida Road that has long been a clear barrier, and create a pedestrian axis towards both regions. I rotated the already existing 9m wide tunnel and extended Maroun Misk to the new district. Both areas have always been a detached 'island' since the civil war - I wanted to emphasize this notion of an island yet instead of a no man's land - introduce functions that transform it into a meeting point. A green patch at the gates of Ghobeireh and Chiyah that can be mimicked throughout the former greenline in different empty zones of the area, spreading like a ripple. The masses carrying diverse programs enclose open spaces which will later be defined by the people using the building (fresh market, art center, sports center...) these diverse functions seamlessly interweave through common courtyards or outdoor spaces always keeping people exposed and prone to interact. The Fresh market facing the art center's and the healthcare center's squares, the healthcare center being connected to the gymnasium, which is also connected to the school. The school's playground connected to the community center and the green houses, and the commercial and residential zones. All this intermingling of programs brings together people from diverse backgrounds, neutralizing the animosity between the immediate residents.

With my master plan I'm accepting the reality of the area and using open spaces to define my project to emphasize on transparency. Opening up views to the surroundings. People using my project will constantly be exposed. The massing will be an interplay between inside and outside. My master plan also feeds the deficiencies of the area such as the demand for affordable housing and open spaces, that were boldly expressed by the inhabitants. And other less obvious deficiencies such as the lack of playgrounds at schools, the varying prices of basic foods on opposite sides of the road, complete disrespect to public spaces (throwing garbage out the window of houses), and the refusal of non-residents to enter the neighborhoods of Ghobeiry and Chiyah.
The attempt may seem naive but worth a try. Instilling a sense of responsibility through planting workshops at the community center, near the social housing project, a gymnasium that can be used by schools during recess, sports classes, and competitions. Selling the fresh produce of the greenhouses grown at the community center in the fresh market at reasonably low prices for both parties, and with functions such as the art center inviting non-residents to mingle with the locals.  
This new meeting point will not have a clear defined sectarian or political identity.  

Sunday, March 17, 2013

We Share This Street (Assaad Maroun)




What is my Master Plan all about?

The proposal calls for an interaction of the existing with the new. It does so by attempting to surface activities and uses already existent on the site and bringing them into light in new form. It is based on altering the existing and supplementing the necessities through the new. The proposal works with two major streets from either communities that intersect on the Old Saida Road, it creates uniformity through inserting a series of "pavilions" that surface creative productive activities. Each of these pavilions shares a relationship with a public outdoor space. The Master Plan is anchored at the center where both communities are brought together through economic interest and/or entertainment. At its either edges facilities needed by the residents are provided, these include sporting, multimedia libraries and parking spaces. The two street are treated in a way that both ends complement each other. Along this path new functions are introduced which include cafes and restaurants, this diversifies the street to not only include retail but also encouraging outdoor activities. The plan is finally stitched together through 3 types of landscape treatments that correspond to the programs around them, at the center, edges and in between transitions. This turns the whole street into a sort of linear park were events change as we move along east to west and vice versa also forming a new identity that links these two major commercial streets. 


How does it answer issues raised in the analysis phase?

The two streets, Assaad Assaad and Maroun Maroun act as major arteries and gateways to either area, at first glance they appear to be one street however social barriers divide them, this presents an opportunity to be incorporated as a single major street. The Master Plan revolves around the breaking of social barriers. Introducing a program were economic interest is shared invites people of both communities to work together. Historically and currently study has shown that both communities are able to cooperate when economic interest is shared. The program also pays homage to two significant periods in Chiyah's history, the agricultural and industrial, as it encourages both activities to take place. The area around Maroun Maroun and Assaad Assaad streets has been industrial and striving on production, slowly now it turns into an area marked by numerous retail stores as the factories have been demolished, however some of this production still takes place in the form of small workshops, i am encouraging this in aim for social interdependence and creative production.  Morphologically open spaces have become scarce and the whole area is marked by high density, the masterplan attempts to salvage what little open space is left and use it as a breathing space midst this high density. 




Workshop and Review

A special thanks to Helena Casanova and Jesus Hernandez for their help and efforts in guiding us through this one week workshop. Their input has been invaluable in helping us develop a master plan specific for each students' area.

The Design X students

Here are some photos of the workshop and the review that followed.



discussions during workshop.
jurors from left to right:
Marwan Zouein, Jesus Hernandez, Helena Casanova,
 Tarek Zeidan, Dr. Elie Haddad, Aseel Honeine

students presenting.